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November 10, 2006

Arts & Ecology: conference and book launch

 

eft image: ”No Way Back?” poster. Design by César Sesio.
Right image: “Land, Art: A Cultural Ecology Handbook” book cover. Design by SMITH. 

via e-flux:

Arts & Ecology announces forthcoming conference and book launch

For more information on these events and the Arts & Ecology programme visit
http://www.rsaartsandecology.org.uk

No Way Back?
A two day international conference at the LSE, London
11 & 12 December 2006
Tickets available here
Book before 10 Nov for a discounted ticket.

Speakers include Maria Thereza Alves, Lara Almárcegui, Jeremy Deller, Andrew Freear, Tue Greenfort, Peter Head, Peter Hewitt, Patrick Holden, Professor Zou Ji, John Jordan, David Lammy MP, Heather & Ivan Morison, Ruth Padel, Marjetica Potrc, Claudio Prado, Ralph Rugoff, Tomás Saraceno, Professor John Schellnhuber, Bronislaw Szerszynski, Matthew Taylor, Klaus Weber, Dr Ken Yeang

No Way Back? is a two day international enquiry organised by the Royal Society for the encouragement of Arts, Manufactures and Commerce, London, in partnership with Arts Council England and the London School of Economics and Political Science. As part of the Arts & Ecology programme, the conference aims to provide different perspectives on ecological issues from major thinkers of our time. Bringing together artists, geographers, ecologists, economists, sociologists, architects, philosophers, anthropologists and others, it will focus on real places and issues. The exploration will include keynote presentations, workshops, panel discussions, walks, readings, screenings, artists’ interventions and will encourage dialogue with and among the delegates.

LAND, ART: A Cultural Ecology Handbook
Edited by Max Andrews


Published by the RSA in partnership with Arts Council England.
Designed by SMITH. Distributed worldwide by Cornerhouse Publications and available from http://www.cornerhouse.org/publications
ISBN 0 901469 57 2 / 280pp / Full colour throughout

Publication date: 12 December 2006

Contributions by Lara Almárcegui, Francis Alÿs, Amy Balkin, James Boyle, Fernando Bryce, Susan Canney, Chu Yun, Donna Conlon, Jimmie Durham & Maria Thereza Alves, Feng Yuan, Futurefarmers & Free Soil, Tue Greenfort, Henrik Håkansson, Thomas Hirschhorn, Katie Holten, Marine Hugonnier, Alfredo Jaar, Jiang Jun, Brian Jungen, Jeffrey Kastner, Winona LaDuke, Learning Group, Lucy R. Lippard, Wangari Maathai, Jonathan Meuser, Jason Middlebrook, Aleksandra Mir, Nils Norman, David Naguib Pellow & Lisa Sun-Hee Park, PLATFORM, Richard Prince, Natascha Sadr Haghighian, Tomás Saraceno, Paul Schmelzer, Peter Schmelzer, Michael Shellenberger & Ted Nordhaus, Cameron Sinclair, Stephanie Smith, Simon Starling, Bruce Sterling, Kirstine Roepstorff, Rirkrit Tiravanija, David Toop, Vitamin Creative Space, Insa Winkler, the Worldwatch Institute and Zheng Guogu.

The RSA and Arts Council England are pleased to announce the publication of LAND, ART: A Cultural Ecology Handbook. Edited by writer and curator Max Andrews, the book presents a compendium of essays, dialogues and commissioned projects by artists, ecologists, cultural theorists, activists and curators exploring art’s varied modes of response to notions of territory, cultural production and the emergencies of the 21st century. Original contributions from international practitioners as well as reproductions of existing artworks will accompany artists’ on-the-page ‘studio visits’.

In part a genealogy of ‘land’ and what has been understood by ‘the environment’ since the 1960s—with the activities of ‘Land artists’ and the emergence of a popular ‘eco’-consciousness—LAND, ART… proposes and tests if and how our conceptions of art and artists are relevant to a global debate about the future of the planet, and where, how and why art might operate—at the grass roots, at a tangent, as propaganda, activism or as resistance, for example.

About RSA Arts & Ecology
Arts & Ecology was launched by the RSA and Arts Council England in April 2005 to support the work the work of the arts in examining and addressing social and environmental concerns in an interdisciplinary and international arena.

Arts & Ecology consists of a series of initiatives including conferences, networking, ongoing discourse, international research trips, education pilots, artists’ projects and commissions, a website and a publication. Information can be found at http://www.rsaartsandecology.org.uk

The Precipice Alliance: promoting awareness about global warming through the visual arts

Artwork_site_image

via Artnet News, 11/03/06 :

GLOBAL WARMING ART IN JERSEY
The Precipice Alliance, a non-profit organization dedicated to promoting awareness about global warming through the visual arts, has commissioned its first work, which opened in Jersey City, Nov. 1, 2006. The piece, by New York-based conceptual artist Mary Ellen Carroll, consists of a 900-foot-long window display in the buildings of the former American Can factory, comprised of eight-foot-tall neon letters proclaiming, "IT IS GREEN THINKS NATURE EVEN IN THE DARK." The head-scratching phrase is meant as an exercise in "indestructible language," focusing on the fluid, open-ended nature of words (strange, for a project with a clear social message!), and is sure to cause some confusion along the Pulaski Skyway, the New Jersey Turnpike, and in planes flying into or out of Newark airport.

Though using illuminated letters to get the word out, the organization hastens to note that the art piece is "carbon neutral," employing low-wattage transformers and lead-free glass tubing, as well as using solar panels to offset the energy consumed.

An event will take place at the site Nov. 13, 2006, to celebrate the debut of the work, featuring songstress Joan Osborne and a lecture by New York Times environmental reporter Andrew C. Revkin. For info, check out http://precipice-alliance.org.

The Precipice Alliance was co-founded by Joel Sternfeld and Donna Wingate; Robert Hammond is on the Board of Directors.

From their Mission Statement:

The mission of the Precipice Alliance is to increase awareness of the global effects of climate change. To do so, the Alliance will fund high-profile, innovative public artworks that address this urgent matter, while simultaneously functioning as an educational and informational forum.

Visibility is key to positive action on this issue. Artists can give form to the intangible and deliver a powerful message about the need to meet the critical challenges of global warming.

Commissioning projects that specifically address climate change will direct public attention to the urgency of the issue. To this end, large-scale contemporary art will be executed in public venues, with each artwork aligned with a specific environmental initiative and related public response. These educational and action-oriented initiatives will serve to inform, to provoke thought, and to instigate profound change.

November 05, 2006

Press + Praise

via serial consign:

strange weather

I've been meaning to post a plug for one of my favourite niche blogs for a while. I found out about Joy Garnett's Strange Weather about a year ago and I've been consistently impressed with the content of the site. The site is a hub for information pertaining to climate change from the perspective of the arts community and it manages to trace out a unique path that differentiates it from the often homogenous myriad of arts and technology blogs active right now.

[image portia-munson's green installation]

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from  Peripheral Vision By Meredith Tromble, Artweek, November 2006:


Joy Garnett...maintains StrangeWeather.info as a resource hub, posting dozens, possibly hundreds of links to art, science, government and activist sites related to climate change... Garnett's archive offers a way to keep engaging with our own, inverted, contemporary sublime.

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